To give the chance to anyone wanting to get into this art, a better starting point, a modern starting point. To provide for future generations, to take away the painful way of learning we had to endure in schools and give out the lessons we gathered throughout those years.
The last thing you wanted was to give that away to unknown people over the internet.īut since then, communities have been created all over the web, and it felt more convenient for people to provide knowledge to help others, because believe it or not, the satisfaction of helping someone or knowing that you've helped in a way or another will always be priceless.Īs a community, my job, as yours, is to provide. I grew up in the days where if you had an idea or a talent, you’d better keep that to yourself so no one could copy you or steal it from you. It’s worth it, though.As an independent artist, the concept of giving away personal research and work with no compensation has always been difficult. It requires so much knowledge of not only multiple art-forms, but an equal amount of technical skill and troubleshooting. They all use the same basic mechanics with slightly different buttons, and there is no excuse to not know both of them in order to apply the one that fits the job.Īny advise for the next generation of Creative / Motion Designer?ĭon’t get into this business unless you absolutely love having to learn new things every day.
Ray exclusion/inclusion is currently impossible on a per-object basis, which kills it for some mograph work.Īll render engines are just tools, with their own pros and cons. Octane, due to a few proprietary workflow features which suit my style and what I want to do later in my career. Redshift or Octane – What’s your preference and why? Scott Pilgrim equally so.ĭamn, you can’t just ask a question like that. The dark knight trilogy is probably the best take on the superhero genre.įor mysteries and plot twists, The prestige, Inception, and Memento. I’m a sucker for a good heist movie, where the Oceans trilogy is unbeatable. Just read everything that’s ever been published on the internet and you can have an okay foundation to build upon. Reddit, Youtube, Vimeo, and every Siggraph stream that exists. How do you stay current with the technology and processes in the industry? Whose work inspires you / What Motion Designers do you admire and how does their work influence your work?Īsh Thorp, Simon Stålenhag, Pablo Dominguez, Cornelius Dämmrich, Raphael Rau, Louise Meijer, Marek Denko, Johan Hägg. Hopefully this can remain an option in the future for many workplaces, as productivity stays about the same while happiness increases. The freedom and comfort-ability of working in your own space, while requiring a certain level of self-discipline, is a breath of fresh air. Working from home has made me appreciate and miss my desk setup in the FOTW Studio a lot more, and I am planning to make changes to my home desk to make it more suitable for long term work.Ī lot of unnecessary or tedious tasks have been streamlined, including using digital amend sheets and forms in place of paper.
I’ve always loved creating things, and I was hooked from the first day I used Thrausi to shatter a cube in Cinema 4D R11! What made you decide to get involved in the creative industry?
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